As long as we're in the neighborhood, we'll hang a right out of
Oswald's Bear Ranch and travel
the road north a piece to take a moment beside the waters of a genuine American
literary legend near the end of its run...
There's a robust library of fine literature to be made from works set
around the Superior Basin, specifically the Upper Peninsula of Michigan.
Notably, this includes titles by John Voelker (who wrote as Robert Traver), Jim Harrison and...Ernest Hemingway.
Yeah, I know. Poppa's most famous for stories set anyplace other than
the UP. Florida. Kilimanjaro. Spain and the bullfight arena -- can't hardly be any
farther away from the UP than that.
But as a youth Ernest Hemingway spent quality time in the Northwoods of
Michigan and from that experience he drew his Nick Adams stories. These are considered by many as pivotal to the
greater understanding of Hemingway. Not the least reason I suppose being that
they're so chock full of Nick's repeated declarations that he intends to make
of himself the Greatest Writer on the Face of the Earth and so much for the
common if too often commonly tissue thin wall between fiction & the writers
who write it, eh?
The most honored of these works, at any rate the one that edged
Hemmingway into consideration as a writer about freshwater fishing is his story
Big Two-Hearted River, widely considered one of the gems
of this rich & curious genre.
Except that there's no "Big" Two-Hearted River in Michigan.
What's there is simply Two Hearted,
no Big, no hyphen.
And it wasn't the river Hemmingway wrote about, regardless.
In Voelker's classic collection Trout
Madness is an essay titled Hemingway's
Big Two-Hearted Secret. Originally published in 1974, Voelker questioned in
print the veracity of Hemmingway's title in the manner typical to his body of
work, which is to say cogent, wry and deeply informed. Voelker's essay should
be read alongside Hemmingway's famous story as compliment to the piece, one
famous trout fisherman to the other, and especially as answer to the waves
literary detectives who endlessly parsed the original.
After lacerating the aforementioned academics...
For, invariably following their
summer pilgrimages, there presently flutters upon the world a new spate of annotated
papers, inevitable as the falling snow, uncovering brand new layers of
neglected symbolism found lurking in Nick's story as well as usually unveiling
another route he took to get from Seney to his Shangri-La.
...Voelker describes the costs of literary fame, levied on the Two
Hearted River:
Today...the once remote and
obscure Two Hearted River has become a sort of combined literary shrine and
tourist mecca.
It's a clear case of a story
making a river famous...so famous in fact that steps are being taken to save
the river from the clutches of those modern brigands (who, with our helpless
passion for kidding ourselves, we ever so elegantly prefer calling developers)
bent upon demonstrating their unappeasable hunger for literature by lining the
river's banks with everything from prefabricated cardboard fishing
"lodges" to sylvan trailer courts on down to canoe liveries and only
God knows what else.
Then, after thoroughly laying out the case, almost offhandedly he beats
all those literary trail hunters at their own game, by pointing out a simple fact
they'd not cared to notice:
Nick several times says he hiked
northerly from Seney and hit the river by bearing left, whereas the Two Heart
would simply have to be many miles to his right.
In his essay, John Voelker only nods towards the actual river of
Hemingway's story, which is today commonly acknowledged to be the Fox,
mountains of earnest literary analysis aside. He remained discrete because
there's a code amongst the best fishermen, shared by Hemingway and Voelker
alike, in his essay summed up by John Voelker thusly:
Finally it strikes this fisherman
as requiring no very profound insight to guess that the author of "Big
Two-Hearted River" would no more publically expose the identity of his own
precious trout water than he would that of an adored woman he'd slept with.
Well, maybe Voelker didn't have quite so much in common with Hemmingway
after all, eh?
Anyway, if you read Hemingway's Big Two-Hearted River and pay close
attention to the writer's evocative descriptions of landscape which are, after
all, the heart of the piece and then
take the time to actually visit both the Two Heart and the Fox, it doesn't take
a genius to figure out that only one of these rivers fits Hemingway's
description and that it ain't the Two Heart.
Indeed, the pine barrens river lyrically described by Hemingway as
surrounded by wet meadows and broken by beaver damns while he camped happily
amongst the remaining pines so near the once famous logging town of Seney
remains relatively untrammeled and along its way you can find places very much
like where Nick stayed:
Kinda makes one wonder exactly what it was all those literary scholars were
looking at, once hot on the trail of Hemingway Myth and hot to make an academic
name for themselves on the back of the writer's fame.
What's true is that reading for comprehension wasn't their strong suit.
Not the reading of literature and certainly not the reading of the landscape
upon which they once descended in droves.
I get that truth isn't often allowed to get in the way of ambition,
academic or otherwise. Evidence of that
is scattered throughout the Superior Basin.
But still...
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