Wednesday, June 1, 2016

Shades of (mostly) Blue

I've been worried about my pollinators.

Bearded Iris (Iris Hybrida)

February was mild and March proved downright warm, at least for March. Hope scented the prairie air. The first queen bumblebees took the bait.

Two of the last three years we've hosted a bumblebee nest beneath our back porch. They can be imprecise navigators and fun to watch as they try to make the tiny access hole on the fly. They sometimes bump into the wall, fall to the ground and with the coolness of a cat, parade on through the portal to deliver up their golden booty to dark sanctuary.

Bumblers are curious sorts too, especially when young. I've had them fly by, stomp on the brakes then pull a u-turn in mid-air, all to come back and take a hovering look at my face. That's quite the thing and for a host of reasons, we're glad to have them. Typically, bumblebees don't return to the same nesting spot the next season, so I expect this is our year off. But the old woodpile remains and institutional memory is strong. By the end of March there the Queens were, trying to scrounge a living off of hard times.

April began as about what you'd want out of spring on the prairie – a warming sun, the fresh blush of green everywhere and of course, dandelions. The first Red Admiral butterflies appeared then. I left most of the dandelions alone and saw bumblers on them early. Then spring took a sudden, nasty turn and everyone was just gone. March weather set in to eat the rest of April and a big chunk of May in the bargain.

Weeks on end of cold and wet laid life on the prairie low. Daffodils came and went, as did the tulips. Up north, in unseasonable weather Alberta burnt. Smoke from that fire bled sunsets red over the prairie, where on my little patch nothing further blossomed and no pollinators came. Though it renders them useless for the table, I left my spring chives to bloom.

Chive (Allium scoenoprasum)

Then as happens, things changed. The heat that held Alberta's feet to the fire broke and a more 'normal' spring pattern set in, mid-continent. As also happens, by then it was creeping toward June and late winter turned to full on summer in a trice. Tomorrow in Fort McMurray Alberta, for the first time since the spring burn began, residents will be allowed back in to see what's left. It's not much.

Meanwhile, the Bearded Iris's got enthusiastic.

I've long wanted to give macro photography a go. The Linhof provided the ideal tool for that, but I was too busy mucking around in the ruined architecture of faded cultures to ever spare the considerable effort for a flower. Now that I'm a digital imagist I'll unlikely ever again enjoy the depth of field Zeiss glass on the Linhof would've provided for botanicals, but neither will I again risk life, limb and 4x5 gear over the side of a canoe to shoot water lilies at Bobcat Lake, so there's that. And I'm happy as a clam to finally possess complete control of the experiment.

Exquisite geometry flows through the heart of my finest architectural work. Turns out, the same basic principles transfer to my basement and dead things. Hot damn.

During unseasonable warmth predicted to fail day after tomorrow, a week or so ago spiderwort blossomed on my patch of prairie. I watched for bees and saw none. This morning after a Cooper's Hawk took a sparrow with dawn and the spiderwort later awoke, when harvesting a bloom that so early in life has yet to reveal the true devil's face of the plant, a bumblebee, a honey bee and a busy little something so tiny I could just barely guess it actually was a bee, all worked the same stand of spiderwort.

Spiderwort (Tradescantia – likely – virginiana)

Some years ago I took a lupine transplant from my dear friend Will's yard up near the Big Lake and planted it in mine. Forced too far outside its natural borders, lupine typically doesn't make a good refugee. Over the course of five years the transplant traveled of its own accord. The thing threw decent stems and leaves as it wandered but refused to bloom and thus represent the wilderness I miss so, when on the prairie.

Finally, last year and apparently happy in the corner of the garden it chose just behind Mr. Lincoln's rose, the lupine bloomed. This year my northwoods refugee is positively at home in its own little patch of the greater world.

Lupine (Lupinus perennis)

If only we could all claim the same, eh?

Sadly, I didn't make it up to Lake Superior this spring. I mightn't make it this summer, either. Hope holds out for autumn, when the Gogebic Range is cloaked in cold, wet fog and colorful ghosts dance on a grey breeze. Last autumn we spread northwoods lupine seeds on the prairie garden in time for the freeze and no few of those took. They probably won't bloom this year but the little buggers give me something to look forward to near the end of next winter, god willing and the creek don't rise.

A few minutes ago, while watching a squall line bear down on the prairie, I spotted my first Red Admiral butterfly in a month. Sure, it fought the wind to gain shelter and hold on through the storm. I lost track of it in a gust, but trust that it did.

Tomorrow is the first day of meteorological summer, while today spring passes through a storm. It's gonna be a hot one. Maybe soon the hyssop will bloom and the bumblebees will again feel at home...

Monday, March 28, 2016

Jim Harrison, 1937 – 2016

         The legal provenance of this image is obscure. Should the owner desire its removal, speak & consider that done.
To the photographer, well done indeed.

How does one wish Rest in Peace to one of the most relentlessly restive spirits of American letters?

James Harrison was a poet, a gourmand of note, an essayist, cranky literary critic and pal of Jack Nicholson. Along with John Voelker, Harrison is one of two great American authors to explore the wilds of the Upper Peninsula in prose, in depth and consistently nail it. Each man did that with rare insight, singularly American humor and a profound humanism that they applied with great craft to story.

Voelker was born in the U.P. and Harrison wasn't, so my native sympathies must lean to the Judge. But Jim Harrison is nobody's second. He was a man who lived on the U.P. better than most folk not born there ever can and he revisited the place in life and in penetrating prose over and over and over again. No matter that the old man died in Arizona. Snowbirds do that.

During the Odyssey, with a handful of other tourists I went to the overlook at Summit Peak in the Porkies, duty called. Near the end of a long day on the road the climb up the hill then up the stinkin' tower just to see more woods was arduous. Still, from the top of the tower there's more wilderness than the eye can readily wrap around, all of it rolling into the south shore of a magnificently indifferent freshwater sea. The sun was bright, a light breeze cleansed the sweat from us and as tourists do, we talked.

I walked down that hill with a married couple a few years older than my peers. It was fun. They were smart. Witty. Well traveled. Flush when most everyone else wasn't and enjoying the hell out of that, you could just tell. Yeah, I know. But you could. And it bears mentioning.

Near the parking lot somehow the conversation turned to Jim Harrison, whom the woman wished dead.

It went approximately like this:

Harrison blames what happened to the Indians on us. He's decrepit and on death's door out in the desert, good riddance.

It was a hard turn to an otherwise pleasant conversation between passing strangers. I bid the couple travel safely, thinking: Any writer that hated has done one helluva job.

It would've been sometime in 2012.

I've thought about that woman often, since then. Especially with each new Jim Harrison book that came after, which by rough count includes two new collections, two novels, a book of poetry and the Brown Dog collection, complete with an entirely appropriate and satisfactory ending to the long winding story of Harrison's most fully realized and sympathetic character. Good Lord, the man's river flowed at the end.

We should all be so decrepit, eh lady?

Jim Harrison left us a particularly rich and robust body of work. His spirit will remain restive so long as the words we live on live on. That'd be about how he wanted it, I figure.

In any case, tonight glasses are lifted in his honor in Grand Marais and other places all over the world. Harrison liked the good life and make no mistake. I don't know if his was a life well lived or not, that's not for me to say. What's true is that the man lived it large and came bearing gifts.

Godspeed, Jim Harrison. Thank-you.

Wednesday, March 16, 2016

Calling All Artists...

Dan's Cabin
120mm transparency, 2012

Thursday March 31st is the deadline for creatives to submit their work for consideration to the 2016 Artist in Residence Program hosted by the Friends of the Porkies in the Porcupine Mountains Wilderness of Michigan.

If selected you'll spend up to three weeks nestled in a splendid cabin, just off a sparsely traveled trail through some of the most pristine wilderness that remains in the upper Midwest.

The Friends are gracious hosts. My time there in October of 2012 was among the best two weeks of my life. I did some of the finest work of my life, while there. Everything in the slide show below that's from "Ontonagon County" was captured during my stay at Dan's Cabin as a guest of the Friends. The work from the Keweenaw too, which while normally about as remote a place as one can get in the Midwest, is just a day trip from Dan's Cabin.

Both I and my art came away inestimably enriched by the Residency experience. What's better than that?

I dropped in here today to tout the program because I'm committed to it, as I intend to be so long as I and it survive. My residency was that good, in all ways.

Upon review, I've already written so much about the Porkies and my stay at Dan's Cabin that we'd best rely on that. So while I apologise for filling this post with links to previous posts, those serve our purpose here.

Follow the links below, as you will. If you've questions, I've likely supplied a few answers. If you've doubts about submitting, those should be assuaged.

If you're unfamiliar with the Porcupine Mountains, start with these so you'll know where you are:

Lake of the Clouds @ Sunrise
4x5 transparency, 2003

The Porcupine Mountains -- Part 1 & Part 2 

Then travel on to Dan's Cabin and my residency there:

120mm transparency, 2012

Finally, let's revisit Nonesuch, which is in the park and just down the road from where you'll stay, if selected.

Nonesuch Cornice
Digital Capture, 2012

Opportunity for creatives might seem rich these days, but most of that doesn't occur in the real world and on the occasion one comes along, just try getting someone else to defray the lodging portion of your freight for choosing to get out and work in it.

And if the images I've chosen here make the place seem resolutely gloomy, well, sometimes it is. You're just down the road from mighty Superior, which makes its own weather after all. And I typically shot only transparency film besides. Consequently, high contrast scenes were only rarely my friend.

But rest assured, the sun shines bright on the Porcupine Mountains too:

120mm transparency, 2012

I say go for it. Time's a fleetin', after all...

Tuesday, March 1, 2016

The First Day of Spring

Happy spring!

Pasque flower (I believe)
McHenry County Il, 2015
Nikon 800e

Some of you might think, "What's up with this guy? The vernal equinox is still twenty days away." And of course, that's true. But today is the first day of what's called meteorological spring, which is mighty official sounding just the same.

Besides, by the time we get to now on the calendar I've about had it with winter. Sure, March is an often brutal month when stubborn winter puts the hammer down just to prove it still can. Around Superior, winter's recalcitrance can last into June. But here on the prairie I'm done waiting on the good news. What with today the official first day of spring to the weathermen and all, I find that suits me just fine too.

The Great Reveal

Seasonal wetland
Gogebic County Mi, 2015
Nikon 800e

People will tell you the best time to see what's typically hidden in the woods is winter, but that discounts the snow that not only makes for hard going, it also covers the ground. I think the best time for wandering around to see what normally can't be seen occurs in late autumn after the trees have shed their leaves and then again, in early spring.

So here's a short selection of sights you'd never see, were they not briefly revealed by the lingering nakedness of winter...

Outflow from Bobcat Lake
Gogebic County MI, 2015
Nikon 800e

Grand Kankakee Marsh Bird's Nest
Lake County In, 2014
Nikon 800e

A month later on the calendar from when these images were captured and you'd never know this is there:

Abandoned Mill
McHenry County IL, 2014
Nikon 800e

Biggest tadpoles I've ever seen in the wild were found in that pothole beneath this wheel when I was a little kid...

Water Wheel
McHenry County IL, 2014
Nikon 800e

Finally, maybe my favorite hidden place ever. It's not that it's location is unknown. Or even that the creek is seasonal, it isn't. Instead this gem of a canyon is reached by travel through deep woods that cling precariously to hard terrain. Now that the resolutely crappy but only road leading back there is gated, the place might just as well be on the moon, whatever season...

Gogebic County MI, 2011
4x5 transparency film

In just a few weeks, April showers will engage their mission to bring May flowers and in the Northern Hemisphere, the world will again be seen as new. From about now until June busts out all over and again cloaks the passionate secrets of summer in abundance, this is every year's prime viewing season.

Welcome the great, annual reveal of life following death. Today is as good as any to start. Go out and look around, what you find might surprise you. In any event, by all means do your best with every splendid day spring gives you, while it lasts.

Hot times are coming soon enough.

Saturday, January 30, 2016

Some Clowns...

Hundreds of dark miles distant, Superior rolls on. There it awaits the raging winter storm that as I write throws a sharp blanket of ice over everything 'round these parts, concrete and remnant prairie both. It's a good night to make like a cricket and hold close to the hearth.

Up north, most creatures not already fled south for the winter lay low with the dark season's apex. Down here even during an ice storm, what remains of the prairie provides sustainable sustenance and shelter to a riotously diverse and fiercely competitive population. When still a sea of grass upon which white folk hadn't sailed, the prairie supplied everything for some of us too. We outgrew the space.

Once the fieldwork that made this project ended, I returned to the landscape that raised me and as regards the great Northwoods am again just another transient. The lush wilds of Superior brim with those during spring summer and fall but not so much otherwise because who in North America wants to fly north for the winter? In some ways I'm yet to fully regain my bearings from such prolonged and intimate exposure to so formidable and complex a landscape as the Superior Basin, though I understand better than ever that wherever I might be, for me Superior is true north.

Things Growing from Other Things #4
Ontonagon County, MI, 2012
120mm transparency film

A reintroduction is in order, as our menu has recently changed.

I was until recently a shooter of large format film, even then an archaic craft. I made a longtime specialty of heritage architecture being steadily reclaimed by wildness around the Superior Basin. Now I'm a multidisciplinary creative (freelance division) just like damned near everybody else.

Individuals always have had their own unique way of looking at things, their personal vision. By and large they kept that to themselves, as barriers to entry beyond casual creative expression ran high. These days anyone with half an inclination expresses their personal vision then distributes it at will to the same rollicking ether where all individual uniqueness gets uploaded to market on roughly equal footing and making a decent living from one's creative wits is too often just a happy accident.

Things Growing from Other Things #7
Iron County WI, 2015
Nikon 800e

When I took up my last large format journey around Lake Superior, regional galleries offered fine art prints struck from film and at a good price. Fourteen months later, where those galleries displayed any photographic prints at all they were digital capture, tucked away from high traffic patterns and peddled cheap. Now that's what you call turnover.

Likewise when I set out, shooters specializing in wrecked architecture were relatively rare. Fewer still worked in medium or especially large format transparency. That club was naturally self- limiting.

Dickson County MI, 2012
120mm transparency film

Except about the same time my personal/professional Odyssey around Superior was over, buses guided groups of tourists through ruined Detroit. Today for a fee people gather at the edges of generational despair to compile on their whiz-bang devices virtually undifferentiated catalogues of what some now refer to as ruin porn.

Suddenly, the field I'd enjoyed working in relative solitude grew if not exactly crowded then no longer a rare pursuit, either. Two pair of casual Sunday shooters came and went during the couple hours last September that I worked this ruin up on the Keweenaw. A fifth digital imagist arrived as I left.

Center Cut
Houghton County MI, 2015
 Nikon 800e

Guess I'll just have to wander farther afield.

Creative narrative often develops an organic life of its own. With the film and me too exhausted, it seemed the right time for this one to close as planned. Then an opportunity unexpectedly arose to acquire the Nikon and lo & behold, I wasn't a retired imagist after all. Story is stubborn, even willful. So it is with the ether life of this one, no less than the analytics support that.

Natural, historical, cultural and personal stories are what our narrative is made of. What our narrative amounts to, we are.

Look to Longfellow, Hemingway and even the curious history of the Ontonagon Boulder for examples of how creative liberty when taken with cultural narrative generationally alters what's commonly accepted for fact. Wholesale invention worms its way into our collective narrative and we act upon its compounding infelicities as if they were true. Then consider the sublime coexistence of geologic truth with Ojibwa cultural imperative, in which approximate harmony one can choose to believe they each confirm the other, or not. Small wonder so many folk these days don't seem to know whether we're coming or going.

Some Clowns Just Want to Watch the Circus Burn (Detail)
Houghton County MI, 2015
Nikon 800e

Ours is a radical era during a revolutionary age. The loudest, most persistent voices among us shout out the danger of our times, often for reasons in mutual opposition. Fear is a contaminant. It permeates the air and has the predator in us edgy. But what time since the beginning of time hasn't been dangerous?

If our age is more threatening than others of recent vintage, it's only that we choose to make it so. The maddeningly complex and frequently absurd dichotomies that propel living human narrative forward are on us, there's no one else. While our ancient cousin the wolf watches warily from those narrow margins of the real world left it as we unfold...

Vintage 35mm chrome of a captive Grey Wolf

The Superior Basin overflows with narrative sprung organically from the earth over the length of worldly time. The first humans to see the place were likely immigrants skirting desert plateaus of ice heaped upon a region where well outside collective memory volcanoes once raged.

By the time we arrived, mountains that rose over the place after the volcanoes subsided were worn down to nubs. Wolf, bear, eagle and a host others had long since earned relative prosperity from a naturally hard terrain. The ice receded. Some people stayed to work copper scraped from veins left exposed to human invention by the ravages of age.

The superior nature of the basin later drew a succession of predatory characters who writ their stories large upon the culture. The fur trappers of legend & lore. Followed by miners, lumbermen and other takers who took much from the place for to craft civilization as we've grown accustomed to it in the blink of an old growth forest's eye.

That was a particularly robust chapter, widely celebrated in story and song. Being only so recent it still clings to us as we do to it and damn the pesky torpedoes anyway, full speed ahead.

The Kingston Plains
Alger County MI, 2012
120mm transparency film

That predatory thread bleeds uncorrected right through into today's radicalized chapter of the story. Our own takers insist the mere existence of critical natural resources no matter how permanently dwindled or damaging the extraction requires we surrender those to unsustainable ends or face certain doom sooner, rather than later. Far as that goes they're about right, of course. But their way, our way of life still requires us killing all of it simply to survive until the day it's our turn.

And what the hell kind of a plan is that?

Worse, the takers use punitive politics to press their unsustainable case even while grabbing everything they can for themselves from the rest of us. At their prerogative that includes the viable economic lives of good people who answered the call and joined them at cold, hard Superior to over the course of generations help bring the varied blessings of our modern world to America and in the name of everyone, not just some few.

The wolf, bear, eagle and Indian. The miner, logger and every other immigrant who for whatever reason first were drawn to this wild place rightly called Superior, they struggle individually and all against each other to maintain an ancestral hold on its ever changing landscape of immemorial magnificence. 

Roughly that same tale is told across the rest of the world today. What's true is that there's only one earthly story and here we are, in it all together. Everything under the sun has its part to play, separate but equally besieged during a revolutionary age.

When I finished the fieldwork that made this project, I returned both injured and ill to the landscape that raised me. Recovery proved difficult. In the interim I turned 60, realized recovery was forever after a strictly relative term and that altered my perspective.

Hanging Man
Wolverine/Mohawk Keweenaw County MI, 2015
Nikon 800e

At any rate, it strikes me as no good time to be retiring because how our chapter of the ongoing story plays out is on me, as it is on you. Ours is a radicalized era during a revolutionary age, when a multitude of fear whipped by self-interest competes for anything like fresh air and the predator in us is sore restless, what with the raging fire and all.

We ought better consider that to the prairie and forest both, fire is a friend.

Ladder Crew
Wolverine/Mohawk Keweenaw County MI, 2015
Nikon 800e


I've updated the masthead to better reflect the times and punted on a fresh Artist's Statement. Rehab of the Resource List and Bibliography remains ongoing.

Travel Resources for the Superior Basin along with links to websites, webcams, blogs and other such that feature news & views from around the region are added and will be updated as needed. Those're for infotainment purposes only, no other endorsement implied. There's also a short list with links to blogs by writer friends of mine.

I'll do my best to keep my little slice of ether better occupied than it's lately been. Times change and so must we, to survive them. The plan is to work on fewer things in order to work better on those I do best. We'll see how that goes.

The generosity of spirit gifted me by those I've met through this project goes a long way to sustaining both it and me. Thank-you for being here.

Fayette MI, 2003
4x5 transparency film

Wednesday, December 23, 2015

In the Spirit of the Season...

There's a blaze of light in every word, it doesn't matter which you heard, the holy or the broken "Hallelujah."

Tuesday, December 15, 2015

Monday, November 30, 2015

Blue Eel, by Lorne Dixon

Or, How I Spent My Summer Vacation

Most of you've no reason to know it, but in addition to what's self-evident around here and among a few other things besides, I'm also an editor of fiction. Editing's both fun and rewarding. They're similarities between working large format film and literary editing in that both disciplines require a deep dive into the complexities of craft as applied to cogent purpose. I especially like creative process, that's where ideas are made into art. So being an editor is a cool gig.

This summer I'd the pleasure to serve as editor for the novel 'Blue Eel' by Lorne Dixon, released today by Cutting Block Books. I've resisted cross-pollinating this place with off point work but since we're marking time while I devise the best way forward for this ongoing project, I thought to take the opportunity to shake some distinctly different trees...

No matter that The Democratization of All Media opened the gates of entry to all comers, publishing still exists as a collaborative creative effort and a lot of good folk labored mightily to bring Lorne Dixon's 'Blue Eel' to market as a first class piece of work.

'Blue Eel' is a provocative novel, appropriate to our anxious and uncertain times. Only you know if you're inclined toward that sort of thing but if you are then by all means buy this book because occasionally fiction is even stranger than the truths it serves to illuminate and this is one of those books.

Sunday, November 15, 2015

Shining Light on the Prairie

Most years the prairie in November is a brisk, brown place beneath predictably leaden skies and sometimes even sporting first ice. Last week it was 70° and sunny, with near gale force winds roaring up hard from the south/southwest.

Climate change will make winners and losers both. This year on the prairie we've yet to receive a finally killing freeze. In our yard are unripe strawberries on the vine and a couple of hardy rosebuds still trying to bloom, we'll see. Only yesterday there arrived the first Dark-eyed Junco scout down from Superior, nearly a month later than last year. Last night up north on the Gogebic Range it snowed, so by his clock the Junko's right on time.

Anyway, this particular year during this particular November, the prairie is a winner while El NiƱo remains indifferent to all such petty concern as it draws down a deep breath on things.

Were I still pushing 4x5 transparency film through the Linhof I'd never have dragged my sorry ass out because the combination of brutally high contrast light and steadfast breeze would've made work a fool's errand. Instead, I'm still learning the capabilities/limitations of my new tools, so off I went...

The wind's voice through oak savanna is different after most of the leaves are fallen.  Even on a 70° day you can hear the raw nakedness of winter as opposed to the brittle fullness of autumn. Through the grass the wind sounds much the same from early autumn through winter and until the first full chords of blooming green spring.

During the course of a splendid morning I strolled maybe four miles through brilliant long light across ancient glacial moraine and took my time doing it. Sometimes, prairie seed whipped through the air like a snowstorm. Hawks glided low over their rich sea of grass, kept aloft on the wind. Mostly I walked or sat but occasionally I aimed the Nikon at sights that once could be owned only through the gift of sight and sound, as captured in memory.

One thing's sure. I'm gonna need a new working definition of perfect light...

Upon leaving there were maybe half a dozen American Kestrels staked out on individual territories along a telephone line strung at prairie's edge. The line wavered in the breeze as the birds remained alert for unwary critters working the grass. Insects and rodents and birds feast on the bounty of the prairie while other birds eat the insects and snakes eat the rodents and hawks eat the snakes while coyotes eat pretty much anything and that ain't near the half of it. 

Everybody works the grass. It'd be a madhouse, if it didn't make such perfect sense.

Each time I slowed the car near a Kestrel, the bird seemed discomfited at the notion I might somehow capture it for posterity. I didn't press the case.

Tuesday, November 10, 2015

Down to the Sea in Ships

First published on November 10th, 2011

Some years ago when I was sitting on the beach at Whitefish Point just north of the Great Lakes Shipwreck Museum, a couple of old men ambled past and stood close together on the sand hard by the shore. I didn’t mean to eavesdrop but couldn’t help overhearing what passed between them, which was far more than mere words.

These men spent their lives as mariners on Superior. They spoke of the big lake as a woman, spoke of her with reverence, awe and regret. In old age these men still both loved and feared the lake. Even though the day was bright and calm, with the surface of Superior as placid and blue as ever it gets, their conversation turned mostly upon hard times spent trying to escape their love’s final embrace.

I recall those old men sometimes, when sitting beside Superior in her many moods. But I think of them always on November 10th, which was the date in 1975 when the Edmund Fitzgerald went down with all hands.

No one knows for certain why the Fitzgerald sank, though the question continues to be asked because that’s what we do -- we try to impose a sense of certainty upon an uncertain world. We do that so we might fool ourselves into believing that our constructs provide some final measure of control over a world utterly indifferent to human concern. That’s bald conceit. What’s true is that Lake Superior is big and men are small and sometimes we can’t survive its embrace no matter how mighty our lifeboat.

Superior serves as grave to untold thousands of human souls, from native peoples plucked out of canoes to Voyageurs caught between safe harbors, from pleasure seekers run afoul of sudden weather to seasoned crews serving aboard the mightiest ships men can construct. So please take a moment out of your busy day to remember those souls lost and to consider, however briefly, that no matter the might of human industry, it’s never greater than a speck of dust in the eye of a storm…

“If they’d put fifteen more miles behind her…”

 Whitefish Bay, from a vintage 35mm transparency

Friday, October 9, 2015

Autumn Count

Yeah, an autumn count isn't regular. But these aren't regular times and now is ripe for an assessment of the forest even despite all the trees...

Iron County WI, 2015

It was September 29th, 2011 when on the Gogebic Range autumn took a hard turn just as I embarked upon this Odyssey. Because I'd once and forever soon run out of film and the intention was to spend it well, it figured that the narrative arc of the project would inevitably possess a beginning, middle and at some point no matter the potential for abrupt untidiness, an end. A year, I figured.

The film lasted fourteen months and with work yet undone, I'd figured wrong. Funny, how narratives take on lives of their own.

Then (if my always suspect math is correct), after 117 separate entries made over the span of 36 months, in September 2014 I took my first month off from delivering to you those goods I'd harvested. Not bad, considering the recalcitrant and obscure nature of the field.

This year on the prairie, autumn turned the morning of September 28th, a few days after I'd returned from Superior.

One could almost smell the big lake on the wind that flowed down hard from the north where the growing season'd ended the day before. Just the same, even now in my yard goldfinches fatten on sweet basil, catnip and the spiky skeletons of Black-eyed Susans. But the sunflowers we grow for them are about gone now and that means soon, the goldfinches will be as well.

Our newest baby girl, August 2015

Fresh to the autumn prairie are a few scattered Crows and Blue Jays, too. I hear those more than see them. Though the prairie's an important part of their ancestral home, these days the family Corvidae are loathe to live there and have become merely edge season transients passing through on their way to somewhere more hospitable. Crows (in particular) are smart. Having suffered a holocaust within generational memory, who can blame them when they avoid the place like the plague?

On the Gogebic Range, Crows and their cousin Ravens are so black, they shine beneath the bright autumn sun in clusters of hammered silver.

Any day now Sandhills will be on their flyover in squawking skeins that draw me to the yard no matter the weather. Maybe this'll be the year that I capture video of those on the wing while they purposefully avoid airplanes and mutual catastrophe in a crowded flight pattern.

There's also the fact that while I was on the Range a few weeks ago, the smarmy schmuck who once tried to cheaply peddle the very last resources of the Gogebic to his carpetbagger crony from Florida realised he wasn't Presidential material after all. The People spoke and Scott Walker slunk away to lick his wounds. That's gotta count for something, right?

Lastly -- at least god willing & the creek don't rise -- before this month is out I'll turn sixty.

Keweenaw County, 2015

That should happen just about the time oak savannahs reach their peak autumnal glory, smallmouth lose a scosche of caution prior to the rivers freezing and the first snow falls upon the wilds of the Superior basin, provided winter hasn't jumped the gun before then. There'll be ­­Slate-Colored Dark-eyed Juncos in the yard, stopped by on their way south maybe even from the woods around Dan's Cabin, to pick over what no longer sustains goldfinches.


Along the Penokee Hills, 2011

I've been dissatisfied with the public state of this project for quite the while now. The narrative was intended to be on point, substantive and maybe even occasionally entertaining. For a good while, it was pretty much all of that. But once the film was exhausted, the road trip framing device couldn't sustain the narrative because the story itself was changed.

And yet still with work left undone.

Among other things, it's to my shame that I didn't feature the Lake Superior Bi-National Forum before it got defunded. And I've not yet managed to wrap my brain around the conundrum that is the late, ever great John Voelker.

Lucky for me no one'll be defunding him, eh?

So starting with 2016, I'll make this a quarterly offering in the hope I can then return it to something more reliably rich and without also having to sacrifice my broader creative interests and/or opportunities, which are about as robust as they've ever been.

Thanks for being here, it's still chuggin' along only because you are. So please don't go wandering off too far, there's more to come.

In the meantime, by all means get out to revel in the wonders of autumn while there's still time to do it, as winter's just over the horizon and time's a wasting...

Ottawa National Forest, 2011