Wednesday, April 22, 2020

Earth Day, 2020 - Shining Light on the Prairie


In praise of remnants...



Mid-20th Century, the city of my birth still featured a few empty lots out near where during our parent's day the street car ended and suburbia, born not so long before us, began.

We called these lots prairies. Grasshoppers lived there.




The quiet presumption this might be the same ground Indians walked was patently false. Instead these lots were the ragged face of abandonment, pending future development.

We couldn't have guessed that between us and native landscape lay a century of brick yards, gravel pits, pickle factories, truck farms and other such. Critical midwives to a city that in short order grew to eat them all, memory of their existence included.




Happily, we'd also ready access to county Forest Preserves. Commonly called the woods.

As in, Of course I didn't ditch church and go to the woods. Why?




Neither were those what we thought. Shot through with invasive species, floodplain re-engineered and oak savanna ravaged, they were indeed woods. But never forest preserves.

The city's namesake river flowing through them reeked. The riparian ribbon along it was perennially mud-caked and grey. It too stank beneath the summer sun. Most everything off trail raged with buckthorn.

Still, for us the place was Wonderland.

Notably, that's where I first met turtles. In the dictionary under "indomitable", there ought to be a picture of a turtle.




An hour's drive outside the city, we later found remnants of authentic tallgrass prairie interspersed with oak savanna and wetlands, everything squeezed between family farms and summer cottages. Red-winged Blackbirds sang only there.




Yet again, little was at it seemed.

Redirected, otherwise restricted and rich in agricultural runoff, my boyhood creek was long corrupted. Year after year, the remaining oak with gnarled skins, widespread crowns and marble-sized babies snug in little caps waiting for rapid fire to birth them, were sacrificed to the housing gods.

After the human population reached recreational mass, one summer they'd the bright idea to poison the local lake and rid it of 'rough fish'. That was a memorable season, when heaps of stinking carp littered the shores and even the remaining farmers refused more free fertilizer, which resulted in uncountable dead fish left rotting under the sun.

This wholesale destruction of life in the lake made no lasting difference to it, we'd not rescinded our standing invitation to the carp. Corralled by the dam that made the lake, out of my crippled creek that kept it filled, the carp simply moved back in.

Tough neighborhood, rough fish.




Take that same hour's drive from the city today and the farms have fallen to development, save those left catering to tourists. Towns and villages that once dotted the way are grown so fat at the waist they run together like a snake swallowing a succession of rats, with little breaks taken for breath in between.

But then...




For the first time in living memory my boyhood creek is more or less restored to its historical meander. Satellite imagery guided the way. Smallmouth Bass and Walleye live in it.

Now the creek runs fairly clear and of its own free will through rediscovered wetlands. There, complex life that until recently could only be imagined thrives on late protected then fiercely encouraged remnants of original, natural world.




Closer in and the county's revered Forest Preserves are being incrementally transformed into a reasonable facsimile of native landscape. Genuine yeoman's work. The long friggin' haul. We'd be thirty years farther in, except ignorance refused to see the native woods for all the foreign trees, then tore its hair and shrieked like hell at first sign of cleansing fire.

Truth is, sometimes to be rid of false notions and bad habits you've just got to get out the torches, gather together with collective purpose, then burn the living hell right out of them. All the way down to the roots.

But don't salt the earth. Never do that.

As it turns out, the earth remembers.




Near what used to be the city's boundary, in my old neighborhood is a singular chunk of greenish space that's pretty much always been 'empty'. At least as close as you'll ever again get to original ground, anywhere around there.

Beneath some of the ground might be bodies, since that's the far reaches of a barely remembered potter's field, subsequently eaten by what the County then called an insane asylum. No coincidence I think, that one followed the other.

A small creek rises from beneath the city.




It trickles over a concave stretch of concrete cut through invasive bull thistle and native Indian Grass, near a small patch of what might someday again be oak savanna. Then the creek disappears back beneath the city.

In the space between, coyotes live.

When first responders race down adjacent streets with sirens wailing, coyotes answer in song.




Across one of those streets, a new High School complex is nearly complete. There's presently no rush to finish. #Covid-19 sweeping the land, kids aren't flocked to fill it.

But in time, they will be. There's little real doubt that then those children and their teachers will adopt this hardscrabble remnant at their doorstep and -- generation upon generation -- make the place as authentic as imagination coupled to knowledge and fueled by the fire of overarching purpose can manage.




In my youth, I imagined little pieces of remaining real world to be what they aren't. Then knowledge disabused me of innocence and though I still took them for sacred, the remnants were also inescapable markers along our long trail of cumulative error.




Now hurtling toward my dotage, I've come to recognize these prairie remnants as wholly appropriate to our times.

Often terribly fraught yet frequently glorious, they're in fact articles of good and enduring faith, these days increasingly well met.



#earthday #savetheplanet

Monday, April 6, 2020

The Howling Sky



Raven pushes hard against brutal grey wind. The wind pushes back, harder.

Fleet winged specter black against the sky, raven gains short distance for each longer distance the sky hurls him looping backward, off the direct path some say Corvidae fly. Sky and sky-rider's rhythms in muscular opposition, the determined bird makes progress.

Circuitous for sure. Daunting, even. Progress nonetheless.

Thrown down near a nascent spring treetop, raven alights on its spindly fingers. Those wave wildly back and forth as if trying to shed him. Raven hangs tight and catches his breath.

A raucous call goes out. It rides high and wide or is unheard, on the will of the wind. No answer comes. Raven launches off, again against a howling sky. Maybe the answer just went unheard by me.

When day ends, raven won't be where he'd intended at the start. The sky determined otherwise.

Closer must do. And it will.



Thursday, March 19, 2020

1st Day of Spring, 2020

In the time of the Covid-19 pandemic.



Robins sing in predawn chorus. Goldfinches have returned. Drenched by midday rain, a Mourning Dove coos. I'm reminded that last summer, a pair of doves brought their babies for safe haven to our garden.

The garden should be even more welcoming this year. Perhaps having learned the lesson, those babies will bring their babies here for safe haven as well.

Meanwhile, the primrose declares - My time is now.




The raucous voice of Sandhill Cranes riding north cuts chill grey air like a scythe. Two mornings in a row, a pair of male cardinals kept close company with a female while she picked the place over and mostly ignored them.

Some folk take spring as a sign of hope. I respectfully disagree.

Hope is just dreaming. For instance, all winter long I hoped the sublime Prairie Smoke I planted last summer took root over winter. But just this morning, I learned for a fact it did.




Spring is perennial promise made manifest. That's way better than hope.

Tomorrow when temperatures plummet on a cold front roaring down from the north, provided the sun shines bright through crisp clean air, the crocuses will nonetheless burst blue.




The little buggers below (hyacinth, I think) fully understand they must yet wait their turn. Also, that it will come. So they bide time.




The real world knows exactly what time it is. Now, perhaps we know too.

Because this particular spring the Earth reminds us of our proper place upon it. Beyond the immediate worry and fear, we must understand that maybe next time, real life will shrug us off altogether and good riddance, too.

People like to say Life goes on and they're right, far as that goes. Doesn't mean it'll include us, though.

In the northern hemisphere the vernal equinox occurs just this side of midnight tonight. First time in 124 years that's happened today, not tomorrow. They say a spring storm will usher it in.

Meanwhile, the lupine seeds purloined two years ago from along the Presque Isle near where the river feeds the big lake bring manifest promise to my little slice of prairie. Now there's but to see if they stay cerulean, or choose on their own to adopt a different shade.

Whether or not I make it up to Superior this spring as planned, I'll be damned grateful to find out either way...





Tuesday, February 18, 2020

The Annala Round Barn – An Appreciation

For decades I'd head out along straight line gravel from Ironwood MI just into Wisconsin, then stop alongside the road for to gaze longingly from a distance at one of the United States' last (perhaps the last) fieldstone round barns still standing.




You can read the story of the Annala barn and how I finally came to access that here.

Given free reign, I took full advantage and eventually shot the place every which way, using 4x5 and 120mm transparency. Also with the Toy Canon, to cover my butt. Near the end of the Odyssey, I visited armed with the brand spankin' new Nikon. All I can say is that I'm damned glad I lasted so long.

Digital image capture/processing is made for the likes of the Annala Barn. Those aspects of the structure typically sheathed in shadow stand reasonably revealed. What's luminous in life is done representative justice.

Accompanied by my dear friend Amanda, on a bright sunny day to help close my sojourn, I did my best to translate the place in that moment in time.




So let's take one last look inside, eh?








I'll be forever grateful to the current owner for taking such good, loving care of this priceless legacy property and for allowing me to work it. Also to the far flung Annala clan, for their generosity of spirit. What follows is dedicated to all of them.

May Mathew Annala's sturdy old stone barn shine for generations to come…








Friday, January 24, 2020

Calling All Artists – 2020




This year, the deadline for submissions to the Artist in Residence Program in Michigan's Porcupine Mountains Wilderness State Park is February 14th.



Run by the Friends of the Porkies organization, I was privileged to take part in that program during October, 2012.




My time at Dan's Cabin didn't just further my creative interests going forward. Those two weeks of comfort in the wilderness continues to inform and enhance me, to this day.




Since then, I've written about the experience a number of times. In so many ways, for me it's the gift that keeps on giving.

You can read about that here:






If you want to know more about the Porcupine Mountains, there's this:






Or, you can just take my word for it and apply.



Life is short.

As to the Friends of the Porkies Artist In Residence program at Dan's Cabin in the Porcupine Mountains, the time left to submit your application is short indeed.

Your comfy cabin in the woods awaits you…




Have at it.


Otherwise, you'll never know where the path not taken might've led.

Saturday, December 28, 2019

2019 - Close Up

There're (at least) two areas of endeavor for which large format capture was/is ideally suited: botanicals and architectural.

The 1st trip I took with the Linhof way back when was to the Gogebic Range. Mostly I shot botanicals, because that's what I saw. The results were satisfying.




The 2nd trip with the Linhof was to Switzerland. Mostly I shot vintage architecture, because that's what I saw. Upon returning home, a remarkable percentage of those 120 high risk sheets of 4x5 transparencies left me agape.




Architecture won, hands down. The love affair began. That altered the course of my creative life. And so it's been, for these last decades of work.

Not coincidentally, botanicals often came included.




There was nothing nimble about the Linhof and nothing easy about doing outstanding fieldwork with it. Though my long term shooting ratio ended up excellent, that's because I learned to be meticulous.

Even so, committing resonant, deep focus images via lengthy exposures onto 4x5 transparency film in the wild frequently became a fool's errand. Too much light. Not enough light. The wrong kind of light. Or simply the slightest breeze could and did ruin any given day's entire effort.

Happily, I chose architecture. Mostly, that doesn't move. 'Least not while you're looking.




*




The last few years, digital capture's proven every bit as personally and creatively transformative as was large format film. Except this time the revolution's not exclusive but inclusive and rather than arrive as a sudden epiphany, the transformation rolls on.

One thing leads to the next, everything interconnected. Unexpected only in the moment. Familiar upon review.




January of last year, I swapped out a fine specialty lens that didn't get much use for another that might. Boy did it ever.




It was as if I'd opened the happy version of a photographer's Pandora's Box. Now I see the world different. In a sense, through child's eyes.




An image need no longer be tack sharp foreground to infinity for to be considered excellent. Indeed, it's often better when it isn't. Nice way to embrace a tool's limitations…




Of course, it's still convenient when the object at hand doesn't move.




Yet it's no longer a prerequisite. My newfound nimbleness is occasionally faster than even the jumpiest life.




No less the boldest and least afraid. Next spring we'll be on maybe our sixth generation of Great Black Wasps since they first arrived. My special garden companions, because they're great & black and utterly indifferent to me.




And neither is impossible light the hard barrier to success it once was. Previously, I'd have never looked twice, at this...




For an old transparency shooter, that's like a freakin' miracle. At the very least, digital capture and processing constitutes yet another in our long list of modern technology's many wonders.




I've not left architecture behind, as you can see. But it remains 400+ miles to Superior country and for myriad reasons, I travel less these days. It's good to find work close to home.

It's also healthy to finally focus on something other than the past – those remnants of generational failure that have for so long been my specialty. It's almost a surprise that fresh air needn't necessarily come laden with despair.




Yet for as radically as the tools have evolved and my opportunity has broadened commensurate, the basic subject's unchanged. It's the light. Only and ever the light.

Now, today and tomorrow. It's always about chasing light.

And being both meticulously prepared and nimble enough, to perhaps capture a fleeting moment when it's positively perfect...